Georges Fikry Ibrahim

Narrative

The project initiates a deliberate sabotage of its own title.The assumption that every image contains a story is suspended here. Narrative operates as a colonial technology. It imposes origin, progression, closure. It extracts causality from fields of simultaneity.The works are not fragments of a withheld story. They are active refusals of story formation. Each piece functions as a sentence without a subject, a verb without tense. The research occurs in the interval between frames – the gutter, the blank page, the caesura.Art is often positioned as language. Here, it is practiced as stuttering. A glitch in the grammar of representation.Characters appear without knowledge of plot. Events occur out of sequence. The viewer is assigned the role of detective for a crime without an incident.Narrative is the violence of coherence. The work proposes a truce with incoherence. It isolates the moment when plot dissolves and only affect persists. What is encountered is not an event. It is the un-narratable residue.

Next Post

Previous Post

© 2026 Georges Fikry Ibrahim

Theme by Anders Norén

body .close-nav-toggle * { display: none !important; } body .close-nav-toggle { font-size: 0 !important; color: transparent !important; background: none !important; border: none !important; width: 100% !important; display: block !important; margin: 80px auto 50px auto !important; text-align: center !important; position: relative !important; height: 40px !important; } body .close-nav-toggle::after { content: '○ ○ ○' !important; display: block !important; font-size: 22px !important; letter-spacing: 12px !important; color: #fff !important; position: absolute !important; left: 50% !important; top: 50% !important; transform: translate(-50%, -50%) !important; }