L’Ultima Cena

L’Ultima Cena

L’Ultima Cena

L’Ultima Cena

L’Ultima Cena

L’Ultima Cena

L’Ultima Cena

L’Ultima Cena

L’Ultima Cena

L’Ultima Cena

L’Ultima Cena

The project operates on The Last Supper as structural code, not as historical image. Re-framing is employed as method to test how symbols mutate under conditions of contemporary circulation.The composition is treated as apparatus. The objective is not interpretation of iconography, but diagramming the mechanisms through which symbols interface with popular culture. The table functions as interface where theological, political, and consumptive protocols intersect.The Last Supper is positioned here as durational infrastructure. Its symbolic density is not illustrated; it is stress-tested. The work interrogates how a canonical narrative sustains its charge while undergoing perpetual re-mediation.The inquiry refuses hermeneutics. It proposes that symbols do not mean. They operate. The presentation becomes a laboratory for observing how historical weight is metabolized by the present tense