The project positions performance as a structural system governed by four non-negotiable conditions: time, space, body/medium, and relation.Performance is treated not as medium of self-expression, but as laboratory for testing the minimum requirements of eventhood. Any situation that activates these four elements enters the regime of performance, regardless of venue, duration, or institutional sanction.The work diagrams how the performer’s body—or its mediation—functions as switch point between temporal axis and spatial frame. The audience relation is not secondary effect; it is constitutive. Without relation, the other three variables do not cohere into eventThe inquiry refuses the distinction between stage and site. Performance is defined as that which occurs when these four variables are held in tension. The project produces no manifesto. It produces a diagram for recognizing when performance has already begun.Venue becomes irrelevant. Duration becomes variable. The only constant is the protocol